50 Unwanted Shades of Grey | Creating a neutral Cmyk grey

Creating a neutral CMYK image in Photoshop

This is part of a series I will be writing about the process of making my photography book Fight Night, from stories about photographing events to the minutiae of trying to find a publisher, to the process of self-publishing. I hope you enjoy and learn a little something for your own personal projects.

I received my first copy of my Fight Night book from Blurb in the mail last week, and nearly every page had a distinctive color shift in the greyscale images. One page would be cool and blue, while the next page would have a distinctive pink cast. As excited as I was to hold a copy of my book that was ten years in the making, my heart sank at the inconsistent print quality. What follows is moderately nerdy on my part. You’ve been warned.

For those of you unfamiliar with what Blurb is, it is a platform that allows you to self-publish a book, then order as little as one copy at a time. The benefits of this are pretty obvious-no need to spend a massive amount of upfront money and fret about selling a giant inventory. Additionally, Blurb has paired with Amazon, so books can be ordered and sent to the customer automatically. It’s a pretty slick arrangement. There are some tradeoffs though. First, the per-unit cost is much higher is you are making one book at a time. Second, because Blurb is printing a wide variety of books at once, the quality of your particular book may suffer. But I had ordered books from there before and was reasonably pleased with the results.

Using just one-color black was never an option. The lack of ink density (I said I was going to get nerdy) would make the images look really weak. Because Blurb bulk prints multiple customers’ books at once, a spot channel black wasn’t an option either. So I used RGB to make sure there was sufficient ink density while keeping everything neutral. I converted the files to CMYK using the ICC profiles from the printer. When I got the proof book back, I quickly saw I was going to have to find another solution.

To make a long story short(er)I’m pretty sure I found a solution. I converted the RGB image to CMYK, and then remove the cyan, magenta and yellow from the highlight areas. Since the margin for error for a color shift is greater in the shadows, this should keep the image neutral. It also adds a bit more contrast to the images. I created an action and included it here. Enjoy.

The next step is to upload new files to the printer and wait for a new proof book. I’ll keep you updated.

You Can Roll Me, and Capture Blurry Tumblin’ Dice

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What you see there is a blurry bunch of dice being dropped from about three feet. What you are supposed to see are clear dice being dropped from about three feet. This is the dilemma facing me in my studio photography class today. The assignment is one of capturing movement using studio lights. Because I’m me, I had to do something a little more challenging than blow bubbles are toss a ball in the air t=for the assignment, but am facing the possibility that I may not get this one. That’s where you come in.

The dice are moving too fast to be captured by the 1/200th shutter speed limit for synching. Short of using a high-speed trigger to which I don’t have access, what are the other options? I have tried to turn all the room lights off, set the camera to bulb, and use the AlienBee triggered lights set the exposure time. The results are the same whether the power is at full strength or lowered to the minimum 1/32 power.

For you studio masters out there, how would you capture something moving that quickly in the studio?

UPDATE: It looks like the Alien Bee B800 simply did not have a flash duration that was short enough. Going to look around the studio and see what else I can find.

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7 Tips To Combat Photographer’s Block

Nick Sparks is a portrait photographer from Denver, United States. In this post, he shares his personal tips on how to overcome photographer’s block. The photos below feature the work of fellow 500px photographers Ryan Pendleton, James Tusha, Elke Vogelsang, David Mar Quinto, Elia Locardi, and Tony Goran.

7 Tips To Combat Photographer’s Block

by Nick Sparks

We all have dreaded picking up the camera and walking out the door at some point. For me, the reason I have feared that simple task has been due to lack of inspiration. There is nothing more exciting than taking that step out of the door when I am feeling inspired, but not so much when I’m not “feeling it”.

However, I had to come face-to-face with feeling uninspired and had to force myself to find inspiration in unlikely ways when I did a 365 Project. I found many ways of dealing with photographer’s block during that tenure.

1. Go Out & Start Shooting
The human brain wants you to find the perfect idea before you go out and accomplish the task of pressing that shutter button. I think many art forms are similar. I have spent many days not shooting, because I couldn’t think of anything to shoot. I find that going out and shooting whatever random subject matter is there—no matter how dull—can create inspiration within itself. Go out and shoot that fire hydrant, and whatever other random dull objects you may find in your line of vision! It may lead you somewhere unexpected.

2. Find A Color

Go out and shoot one color. Narrowing your subject matter down to one color will make you see photographs you never would have otherwise. Different colors have different moods too. If you are feeling calm and cool, go shoot blue. Do you feel happy? Shoot yellow or orange. There are many internet resources that you can look into to explore the color wheel and emotional interpretation of color, I suggest starting with Google.

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3. Shoot Feelings
Basing your photography on a certain feeling can trigger tons of inspiration. Let’s say that I wanted to shoot “happy”. Maybe that would lead me to an area that is connected in my mind with a happy time. Maybe, trying to capture a happy feeling leads me to a photo of that place with the perfect sunset, and I could capture my favorite photo ever. Isn’t that inspiring? Also, you could try making a mood board and capture the vibe that you come up with. Personally, I’ve never been a fan of mood boards, but maybe those could work for you. I hear Pinterest is a great place to put one together.

4. Shoot Street Photography
Go out to the downtown area of your closest metropolitan area. Thousands of people pass through that area every day. They all have different stories and are living different days. Surely, you can find some inspiration in that. Put yourself in their shoes, then capture something that is meaningful to you.

5. Shoot Technical Photography That You Haven’t Tried Before
Not only is technical photography interesting, shooting technically complex photos will help your skill set. You will be able to use those skills in the future by going out and expanding your skill set now. Typically, when I shoot in a new way for the first time, it will be frustrating and not turn out, but having those frustrating experiences has helped me down the road. A few skill sets you can learn are light painting, extended exposure, cloning, conceptual manipulations, and star trail exposures. Keeping busy and expanding your skill set can help you incorporate those ideas into your future pictures; therefore, give you more ways to capture your inspiration.

6. Go Somewhere New
Pack up your photo bag and take a big step out that door. Give yourself a general direction, and see where it leads you. I have done this a few times, and I have never been upset with the results. Granted, I have not used much of it in my portfolio, because for the last year or so, I have been strictly known as a portrait photographer. The last trip I took led me to an abandoned mining town. Let’s just say I was feeling pretty inspired when I got there.

7. Collaborate
Collaborating is always fun. This way, you can tap into the creativity of someone else or get inspired by them. You could collaborate with another photographer, model, makeup artist, a group of friends, your neighbors. The pictures below are a collaboration between me and Joshua Marable. We came up with the idea of a character feeling lost or depressed—a sinking feeling. Joshua went to Goodwill and picked up an outfit that he thought worked well with capturing that feeling. I came up with the location, and thought out different ways to shoot there in order to capture the feeling of this fictional character.

Fight Night Photo of the day: Bar Fight

Fight Night Photo of the day: Bar Fight

A fight breaks out in the audience of amateur fights held in a bar in Des Moines, Iowa.

Photo of the Day: Ron Paul in Iowa

Photo of the Day: Ron Paul in Iowa

Texas Congressman Ron Paul speaks during his announcement of an exploratory committee in Des Moines, Iowa on April 26, 2011. Approximately 40 people squeezed into the Holiday Inn conference room to hear Paul’s announcement and declare a final decision will be made by the end of May.